paradise

Nilsson does Ernie Kovacs

From a rare BBC special:

And the winner (maybe) is...

My final too-late-to-turn-back predictions:

• Best Picture: "Avatar"
• Best Director: Katheryn Bigelow "The Hurt Locker"
• Best Actor: Jeff Bridges
• Best Supporting Actor: Christoph Waltz
• Best Actress: Sandra Bullock
• Best Supporting Actress: Mo'Nique
• Best Original Screenplay: "The Hurt Locker"
• Best Adapted Screenplay: "Up in the Air"
• Best Animated Feature: "Up"
• Best Foreign Language Film: "The White Ribbon"
• Best Documentary Feature: "The Cove"
• Best Documentary Short: "Music by Prudence"
• Best Live Action Short Film: "Kavi"
• Best Animated Short Film: "A Matter of Loaf and Death"
• Best Original Score: "Up"
• Best Song: "The Weary Kind" from "Crazy Heart"
• Best Cinematography: "The White Ribbon"
• Best Film Editing: "The Hurt Locker"
• Best Art Direction: "Sherlock Holmes" (This is the only one I'm having second thoughts about, simply because it was such an awful film.)
• Best Costume Design: "The Young Victoria"
• Best Sound Editing: "Avatar"
• Best Sound Mixing: "The Hurt Locker"
• Best Visual Effects: "Avatar"
• Best Makeup: "Star Trek" 

Through the looking glass

Related to the last post:

Down the rabbit hole, circa 1903

Courtesy of the British Film Institute, the first film adaptation of "Alice in Wonderland".  Read all about it here.

Cinematic altar

This memorial to James Whale can be found by the Showcase Cinema in his hometown of Dudley, England.

Walkin' my cat named dog

A great forgotten song.. How did this one fall through the pop-cult tracks?



More of Norma (the b-side?) here.

Not an animal

Thanks to The Playlist for drawing my attention to Richard Schickel's piece on the making of "Raging Bull" in the current "Vanity Fair" . Scorsese has never attempted to hide his personal problems during 70s and 80s, but Schickel does a good job of showing how they contributed to his commitment to make something more than a conventional sports film.
One important and rarely mentioned detail is how producers Chartoff and Winkler had to dangle the carrot of "Rocky II" ("Rocky" had been a popular and even well-reviewed film, but was not yet a sequel-producing-franchise) to convince United Artists to back Scorsese's film.
I suspect, however, that Schickel overstates the failure of "New York, New York" as a factor in Scorsese's personal bottoming out at the end of the 70s. Yes, "New York" was a commercial disappointment, but United Artists was still coasting on its reputation as a director's studio. As hard as it is to believe, the era of judging films solely by their opening weekends hadn't yet begun.

(One minor error in Schickel's account: "Home Movies" isn't one of DePalma's "earlier" films; Produced as a class project for his students at Sarah Lawrence, it was released in 1980 - the same year as "Raging Bull.")